Pinsuti - The Ilkley & Skipton Chamber Choir
Facebook Twitter
CONTACT US
CONDUCTOR
CONCERTS
HOME

Pinsuti is a group of about 20 singers, some of whom are semi-professional and trained singers.

We take our name from the little-known Victorian composer Ciro Pinsuti. Sacred and secular unaccompanied music forms the core of our performances, which are individually tailored to each venue and audience.

We perform 4 - 5 concerts each year in the Wharfedale - Airedale area. We also enjoy singing at weddings and other events.

SAMPLES
CONCERT DATES

We don't have dates for our 2017/18 programme yet, but please visit from time to time to check.

Click for a full list of our music.


The members of the chamber choir come originally from many parts of the UK including parts of England, Ireland and Wales. These days we live in and around Ilkley, travelling from, amongst other places, Gargrave and Leeds.

We vary in age; some of us currently work in such fields as education, medicine, various business and scientific professions and music, whilst others are retired, but equally busy.

We meet each Wednesday at the Friends Meeting House, Ilkley, at 8pm. We currently have vacancies in all parts so potential new singers are welcome. Come along to 2 or 3 rehearsals to see if you enjoy singing with us, and then we'll ask you to take an informal audition.

Would you like to be kept informed about future Pinsuti concerts, events and other news? If so, contact us to be added to our new emailing list. We promise you will not be bombarded with emails!

 

Next Concerts

 

We'll add dates and venues as soon as we can.

 

 

Repertoire

Alleluia! 7th July 2017
A Rose Without Thorns 24th March 2017
Tidings of Joy, 3rd December 2016
Most Heavenly Music!, 12th November 2016
Midsummer Kaleidoscope, 9th July 2016
Songs of Compassion, 11th March 2016
A Choral Christmas, 12th December 2015
Holy Trinity Skipton, 14th November 2015

You'll see some of our repertoire from the recent concert programmes above.

We sing music from 16th century composers to current works, from Europe and America and usually sing unaccompanied.  The list below includes some, but not all, of the composers whose works we have sung in the past.

Allegri, Bach, Bairstow, Barber, Blow, Boyce, Brahms, Britten, Bruckner, Byrd, Copeland, Durufle, Dvorak, Elgar, Gibbons, Grieg, Handel, Kirbye, Lauridsen, Leighton, Lotti, Macfarren, Mäntyjärvi, Mealor, Mendelssohn, Palestrina, Parry, Parsons, Pearsall, Poulenc, Purcell, Rachmaninov, Ravel, Rheinberger, Rogers, Rossini, Rutter, Sandstrom, Stanford, Tallis, Tavener, Tchaikovsky, Telemann, Vaughan Willliams, Walton, Weelkes, Whitacre.

Our list keeps growing!

Reviews

PINSUTI. “ALLELUIA”, CHRIST CHURCH, SKIPTON,

Friday 7th July 2017.

A healthy and enthusiastic audience was entertained gloriously by the talented Pinsuti choir in their “Alleluia” programme. Although the choir often sings a capella, and this occasion was no exception, in some works they were accompanied by the talented organist Charlie Dobson, along with a brass ensemble of 6 players. The conductor was Robert Webb, who always creates a pleasantly humorous mood to complement his excellent musical skills. The result was a most unusual and enjoyable evening of lively music, in which the full range of dynamics was explored.

Given the theme of the concert, it was clear that the music would be entirely from the religious canon. Unsurprisingly it concluded with a rousing version of the Hallelujah Chorus, in which the combination of brass and organ accompaniment made for an exciting conclusion. In similar vein, and also from the same composer, Handel, we were treated to a performance of the only slightly less well-known Zadok the Priest. In both works the choir’s intonation was crisp, and they operated as a well-practised unit.

The programme included relatively contemporary works by John Taverner (“Song for Athene”, which I found delightful), Stanford, and Eric Whitacre (his lyrical “Alleluia”), but also a selection of earlier pieces from Luis de Victoria and Orlando Gibbons of the late 16th century. If there was a criticism, it was in Gibbons’ “Great King of Gods” where the 6-piece brass section tended to drown the soloists. Although this is a comfortable and welcoming venue, the somewhat echoing acoustics are difficult for such a performance.

The brass ensemble was augmented by Robert Webb himself on trombone for their performance of Vaughan Williams’ “Prelude to the 49th Parallel”, a short but enjoyable piece of film music. And Charlie Dobson, who was an excellent accompanist in the Handel works, gave us a marvellous solo performance of Messiaen’s “Alleluias sereins”, a modern work very much in contrast to the remainder of the programme.

Overall, despite the slight acoustic difficulty, this was a most enjoyable evening, which met with the warm approval of the audience. Pinsuti is based in Skipton and Ilkley, two towns which are very fortunate to have such talent within their midst.

Phil Lawler

...and some comments from the audience:

"Pinsuti is growing in ability, musicality, warmth, balance, quality I could go on, superb program wonderfully executed."

"It was seriously amazing! Made me feel glad to be alive!"

"Quite spine-tingling!"

"Although it was all excellent my personal favourites were the Taverner and the Whitacre, which I thought were sublime."

 

 

PINSUTI. “A ROSE WITHOUT THORNS” HETTON METHODIST CHURCH,
Friday March 24th 2017

An audience of around 50 attended another thoroughly enjoyable evening’s music from this gifted and well-trained Ilkley and Skipton based choir of about 20 voices. Most of Pinsuti’s work is a cappella, and this performance was no exception. The opening work, Palestrina’s motet for double chorus “Stabat Mater Dolorosa” was beautifully performed, with perfect balance between the two sections of the choir. This was followed by Taverner’s “Mater Christi Sanctissima”. Since Taverner was a near-contemporary of Palestrina, the religious context of the sixteenth century was maintained, but the programme was to be shared between religion and roses, between ancient and modern.

The choir moved effortlessly to Paul Mealor’s 21st century madrigal settings of four texts relating to roses. The first of these is Tennyson’s “Now Sleeps the Crimson Petal”. The last of them, “A Spotless Rose”, provided a lyrical and interesting change from the often-performed, better-known and equally delightful Howells setting.

This was a game of two halves, if I may apply a sporting metaphor. After the interval we were provided with works by Brahms, Bruckner and Tchaikovsky along with Bogorodice Dyevo from Rachmaninoff’s Vespers.

The evening was completed with Morten Lauridsen’s delightful “Les Chansons des Roses”. Lauridsen is an American composer. This work is one of his song cycles, based on the French text of Rainer Maria Rilke. A helpful translation included in the programme notes, although losing some of the poetic rhythm of the original, enhanced the audience’s appreciation of the music, and its accolade to the said roses.

Directed expertly as ever by Robert Webb, and assisted during the final work by Charles Dobson on piano, Pinsuti were at their best. Their diction, tonal clarity and balance were exemplary. Their repertoire includes some very difficult works, which they master with apparent ease. In the comfortable and intimate setting of Hetton Methodist Church they provided a most satisfying evening.

Phil Lawler 26/3/17

Musical Director

Robert Webb read Music at Merton College, Oxford, where he also held a choral scholarship under Peter Philips (Tallis Scholars) and Benjamin Nicholas. He now lives in Leeds with his wife and young son, and enjoys a varied career as a musician in and around West Yorkshire. Robert teaches music at Skipton Girls' High School and is the choir master at Hipperholme Grammar School. He also teaches brass at Horsforth and Roundhay schools in Leeds, and singing at Queensbury School, Bradford.

Robert directs the Vocal Expressions Ladies Choir, based in Holmbridge, who he led to victory at the prestigious Mrs Sunderland competition in 2016. He also conducts the Pinsuti chamber choir based in Ilkley which has a growing reputation as one of the best choirs in the area. Robert is a founder member and the conductor of The Ascension Singers, a five part a cappella group based around Leeds. Robert also enjoys the opportunity to perform professionally as a baritone soloist and a trumpet player. In any spare time he gets, Robert enjoys playing sport and spending time with his family.

Contact Us

If you would like further information about the choir, would like to be added to our mailing list, are interested in joining us, or would like to book Pinsuti for a concert, event or wedding, please contact our secretary, Monique Kershaw at mail@kershaw-translations.co.uk

We are on Facebook. Facebook

Please have a look our pages and add a comment if you wish. We welcome suggestions for items to include in our programmes.